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Usually exclusive to our physical magazine, we’ve treated non-subscribers to a selection of some of our best print pieces.
With apt gravity, artist-activists Crystelle Vu and Julian Oliver have chosen the solemn timbre of a traditional Chau Gong. Bearing “the stark neo-primitivist image” of the Extinction Symbol — an hourglass (for time, swiftly depleting) within a circle (for the planet) — their automated instrument is called “The Extinction Gong.”
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The world is bright. The sun shines, tempting you to idle by a sleepy Moravian town’s only swimming pool. The day’s balmy embrace leaves your skin aglow, as if with its own modest radiance. As you approach the poolside, a tepid breeze half-heartedly churns the dust on the road and stirs the leaves on the trees into a chorus of hushed murmurs.
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In the shadow of the colossal French Pyrenees, at the fringes of the historic region of Occitanie, lies the town of Lourdes. There, a major Catholic shrine has attracted scores of millions of pilgrims since visionary apparitions beset a denizen in 1858. Some hundred and sixty years ago, at the nearby Grotto of Massabielle, an illiterate peasant named Bernadette Soubirous claimed to have received a rosary-like series visions of the Immaculate Conception.
Read More...Dive deep into long form features on everything from smartphone addiction to what a True-Cost global marketplace would mean for the economy.
The only thing that gives me satisfaction lately is going out and getting my nose dirty. Pulling off some little act of subversion — like placing an OUT OF ORDER sign on an ATM, or taping an Ultimatum to World Leaders poster on a bus stop shelter. Once in awhile I’ll drop by the economics department of the University of British Columbia and pin KICKITOVER MANIFESTOs on professors’ doors. In future I might, I dunno, let the air out of some SUV tires; place a stink bomb in a bank; throw a handful of pixel dust in Justin Trudeau’s face. Such acts of civil disobedience aren’t exactly denting the universe. But they always turn my day around. Like, now I have the strength to fight another day.
Read More...An Interview with Kohei Saito, Kohei Saito, a professor of philosophy at the University of Tokyo, seems poised to become the new Thomas Piketty, winning scores of converts to anti-capitalist economics within mainstream Western culture. His new book has just been released in the United States as Slow Down: The Degrowth Manifesto
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I am four. A man who is supposed to take care of me touches me in a way that I know is wrong, even when I don't have the vocabulary to explain it. When my mother, white with rage, complains to my family, she is told off. In Kerala there is a saying: whether the leaf encroaches on the thorn or the thorn encroaches on the leaf, it's the leaf that tears. In other words, it is not their job to protect the girl; it is the mothers' responsibility to protect her daughter.I am eleven. I hear what's said about me: Too bossy. Talks too much. Doesn't have enough girlfriends. Doesn't help out in the kitchen. At a family vacation, a man six times my age puts his disgusting mouth on mine without my consent. My aunts and uncles are in the room just next door. Many years later, recounting this story to my mother, I realize the violence I experienced was a mere slight compared to what she and her mother
Read More...Our fingers are on the global pulse, counting beats as we stutter towards the throes of death. If you want to know what Adbusters thinks about the news, this is where you find it.
We're in the middle of a guerrilla marketing war for the future of the planet. Conventional weapons are useless — all we have are ideas. These are the best of our culture jams.
Listen to the voice of Adbusters proffering sweet ASMR vibes about the end of capitalism and where Occupy Wall Street went wrong.
Memes can be cinematic too. Turn up the volume and watch the chaos of the world unfold and disintegrate before your very eyes.
Gruesome spectacles of violence. Belief in ethno-religious supremacy. Fundamentalist notions of social order. Preoccupations with purity and vengeance.
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Four dead, the U.S.'s democratic reputation indelibly sullied, and its hapless political class unable to rally itself to take up even elementary justice.
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This summer, our “White House Siege” raised the hackles of the far right, provoking a rabid reaction on social media. But not long after it launched, Facebook censored the campaign's main hashtag, hobbling our efforts to resuscitate American democracy.
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